Racial Difference in Movies











{May 25, 2006}   Mission Statement

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Racial differences are a part of our everyday society.  Because of these differences, we establish stereotypes of people who we consider dissimilar from ourselves.  The media plays a role in enforcing these stereotypes and can create misrepresentation based off of overgeneralization of groups.  However, the media can also play a positive role in presenting these issues to society because we have an opportunity to become aware of the existence of these stereotypes.  We want to take the medium of movies and highlight the different ways they portray racial differences using this website that could possibly be used as part of a curriculum to educate students of the issues that result from racial difference through movies.  We want to generate awareness of these issues and receive any opinions and thoughts from those who visit this site. 

Why did We Choose Racial Differences in Movies?

The reason why we chose to focus on racial differences is multi-faceted.  First, racial differences trigger a domino effect of eliciting other problems.  Most notably, the problematic nature of racial differences can result in the creation dominant groups.  These dominant groups consequently become the privileged members of society, and according to Johnson (2006), “[w]e live in a society that attaches privilege to being white…regardless of social class” (p. 8).  Power coincides with privilege, and these prevailing groups have the majority of the power and use it to portray their perceptions and thus, reinforce their views to the public.  In Shah’s (1999) article on the topic of minority coverage in the media, he recognizes how 

[i]deas about inclusion and exclusion from the nation are often based on conception of racial superiority and inferiority derived from the perceived sociopolitical, economic, cultural and other needs and passion of a nation at a given historical moment (p.251).

Using the media and the issue of creating stereotypes of groups according to how the dominant group perceives them results in the creation of gaps and misunderstandings in our society.  The topic of stereotypes is brought up numerous times with exposure to ethnic groups, and we realize that it is our responsibility to be aware of them in order to control how they circulate in the general public.

Besides causing misunderstandings, racial differences can create walls and boundaries between groups.  Movies also run the risk of producing misrepresentations of groups of people, often in the form of a generalization characters who are non-Caucasian.  Groups victimize themselves and create excuses for their actions because of these portrayed impressions.  By pointing out these generalizations, misrepresentations and stereotypes from movies will assist in relating to the issue of racial difference to students.

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Who is this FOR?

"A student's college career is one of the few stages in life devoted almost entirely to developing the mind in an engaging, thought-provoking setting where all views are welcomed and contested" (Blake, 2006).

We chose to create this website to have something out there for the public to put their thoughts and opinions.  Although this site is open to all who stop by, we wanted to focus on a younger demographic, those finishing up on high school, college and starting out in their careers. 

Statistically, 74% of American college students have access to the Internet and use it on the average of 4 or more hours a week, while 86% use the internet, according to Pew Internet Public Survey Analysis (2001).  Because of this fact, putting information in a format that is most accessible to this group made sense.   

Percentage of College Students Who Use the Internet 

 

COLLEGE STUDENTS (n)

GENERAL POPULATION  (N)

All RESPONDENTS

86%

59%

Men

87%

62%

Women

85%

56%

Whites

Blacks

Hispanics

90%

74%

82%

61%

45%

60%

Pew Internet & American Life Project Survey, June-July 2002(N) 2001(n)

Awareness should be out there because movies are a popular medium of communication of our media today.  Pointing out racial differences in movies to college-age students is important because movies can have a great impact on people.  This works well with our target audience, because of the popularity of cinema with young adults.  The public, particularly younger people, is influenced by what they see.  It is necessary to point out that what one sees is not always what one should believe; there is more substance beyond what is being portrayed on the surface by the media.  Johnson states that one of the main reasons that difference is a problem is because people are afraid of the unknown (13). 

"Movies…allow viewers to vicariously experience other cultures, locations or settings, or even lifestyles.  Consequently, movies do influence our attitudes on a variety of levels.  Viewing a single movie or exposure to a specific media message may be sufficient to produce effects on people's beliefs, thus forming a perception." (Jeffers, 1997)

Johnson points out that “of all human needs, few are as powerful as the need to be seen, included, and accepted by other people” (55).  The answer to fear is education.  The goal of this project is to create awareness among impressionable youth so that they might be able to cultivate an open view of racial backgrounds and revolutionize society’s current position of racial differences.  This is because “anyone who allows awareness of that to their consciousness is bound to feel something about it” (75).  If we acknowledge racial differences by identifying stereotypes and misconceptions of groups of people, then there is a possibility to break down barriers and promote a greater understanding of our society and figure out the best method to break down the issues created by racial differences.



{May 25, 2006}   Generating Discussion

The purpose of this page is to generate ideas about racial differences and to express these thougthts on the message board. 

There are ten different movies on this page, each has a brief summary of the film and a excerpt dialogue from the movie.  Read through the summary and the discussion questions, then click on the title of the movie and there is a space where the answers can be posted. 



{May 25, 2006}   Justin Lin

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Justin Lin had the intention of breaking down Asian stereotypes and the "model minority" by portraying darker persona of characters in his film,  Better Luck Tomorrow.  This film had the objective to generate controversy and discussion, especially for its intended audience teenagers and was inspired by youth.  His film has depicted a drastically different view of the Asian American, yet still keeping some of the realistic pressures that viewers can relate to.  Recently he wrapped up on the film, The Fast and the Furious: Tokyo Drift.  A promising director, his next project is an adaptation of the Korean film Oldboy.



{May 24, 2006}   References

References

(2002-2005). Retrieved May 23, 2006, from Raise your voice: Student action for change.  Web site: http://www.actionforchange.org

Aiken, M., Vanjani, M., Ray, B., & Martin, J. (2003). College student internet use [Electronic version]. Campus-Wide Information Systems, 20(5), 184-185.

Bart, Chris (2006, March).  Words to grow by: Hands on managing.  Retrieved April 25, 2006, Web site: http://web.lexis-nexis.com/document.

Blake, W. (2006, February 16). Learning without bias. Cavalier Daily. Retrieved May 23, 2006

Feldhahn, Shaunti (2005, Nov. 22).  Diversity vs. assimilation: Assimilation is the right path. The Seattle Times, Retrieved April 25, 2006, from http://www.seattletimes.com/archive.

Folkerner, Paul (2000, April 14).  Teachers, students know how channel one connects.  The Seattle Times , Retrieved April 25, 2006, from http://www.seattletimes.com/archive.

Gorham, B.W. (1999).  Stereotypes in the media: So what?.  Howard Journal of Communications. [10(4)], [229-247].

Holtzman, Linda (2000).  Media messages: What film, television and popular music teach us about race, gender and sexual orientation.  New York: Sharpe.

Jeffers, L. W. (1997). Mass Media Effects (2nd ed.).
Prospect Heights, IL: Waveland Press.

Johnson, Allan G. (2006). Privilege, power and difference.New York, NY: McGraw Hill Companies.

Jones, S., & Madden, M. (2002). The internet goes to college: How students are living in the future with today's technology [Electronic version]. Pew Internet & American Life Project.

La Ferie, C., S. M. Edwards, W. Lee. (2000).Teens' use of traditional media and the internet. Journal of Advertising Research. [40(3)], 55-66.

Lavoie, Jullien (2006, March 21).  Challenging racism through media: Media awareness network resources address racism and hate. Retrieved April 25, 2006, from Canada NewsWire Web site: http://lexis-nexis.com.

Le, C. N. (2006). Population statistics & demographics [Electronic version]. Asian-Nation: The Landscape of Asian
America
.   <http://www.asian-&nbsp; nation.org/population.shtml>

Minugh, Kim (2006, January 12). Movies in the classroom: Some parents dispute those who say films are needed to reach today's students. Sacramento Bee, Retrieved April 26, 2006, from http://web.lexis-nexis/universe/document.

Perry, T. T., Perry, L. A., & Hosack-Curlin, K. (1998). Internet use by university students: an interdisciplinary study on three campuses [Electronic version].  Internet Research, 8(12), 136-141.

Rocchio, Vincent F. (2000). Reel Racism: confronting Hollywood's construction of Afro-American in culture.  Boulder, CO: West View Press.

Shah, H. (1999).  Race, nation, and citizenship: Asian, Indians and the idea of whiteness in the U.S. press, 1906-1923. Howard Journal of Communications. [10(40], 249-267.



Please click below to see how the changes in American history in relation to racial difference coincide with the changes in American film!

History and Movies: Highlights



{May 22, 2006}   Snow Falling on Cedars

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This quote is taken from Snow Falling on Cedars, and is a dialogue between a Japanese American mother and daughter living the Northwest during World War II. They have just had their father relocated to a labor camp, and are in the midst of racial turmoil.

Mother: The hajukin (whites),They are no better than animals!

Daughter: Not all of them.

Mother: How would you know?

Daughter: I live here among them. So do you!

Mother: You speak with great assurance. The words fly from your mouth. I don't care what you say.

Daughter: Do you hear me? I don't want to be Japanese!

Discussion Questions:

1. Has there ever been a time where you had wished for a heritage different that your own?

2. Does being born into a country and living amongst it’s citizens constitute a heritage to that country?

3. In times of racial oppression, would you have the will to reject your own family’s heritage? What kind of person does this, a weak one or a strong one? More importantly, what does this say about the oppressive situation as a whole?

4. Has there been other situations in American recent history where racial biases of the media or the majority have led people to question their heritage, or downplay the pride of their race?

5. Why is it important present films on the racial injustices of the past? Is it disrespectful to relive such hate through film, or is it important to reopen such wounds to educate and inform each generation?



{May 22, 2006}   Steven Spielberg

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The success of Steven Spielberg goes without saying. He has been recognized countless times, and stands as a pillar for excellence in direction. However, the success of Spielberg has given the chance to use his talents and production powers to point our racial injustice through film. Presenting Amistad, Schindler’s List, and Munich Spielberg takes a step back, and directs his aim against historical injustices which impact our society today.

Spielberg has won three Academy Awards and has produced some of the most lucrative box office hits of any filmmaker. This fact makes his willingness to produce films that impact the racial climate of the America quite unique. In Amistad, Spielberg told the story of a slave ship mutiny. Using the vivid imagery of history, he showed with great detail atrocity and injustice. In Schindler’s List, Spielberg depicts the holocaust in a solemn tale reflecting the horrific past of humanity. Finally, one of his latest projects Munich again was devoted to showing the historical injustice of the Munich Olympic bombings. This film in particular focuses on the injustices between the tense Israeli and Palestinian conflict. Also, Spielberg helped produce Memoirs of a Geisha, which too stands as a movie with a insightful racial theme.

Directors with success and power have free range to choose any project they wish. Spielberg is an important example for his willingness to look beyond profit and acclaim to participate in films with a cause he believes in.



{May 22, 2006}   Bamboozled

Instead of a quote from this movies, we leave you with just the movie images:               

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Discussion Questions:

1.      What stereotype is being addressed in these movie posters?

2.      How do these movie posters make you feel?

3.      What affect do you think these movie posters have on the stereotype it is portraying?

4.      What can you do to change this stereotype?



Please click on the link below and answer our poll. We would like to know how you feel about the different aspects we have highlighted in this site about racial difference in movies!

OUR POLL



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Guess who's Coming to Dinner (1967) is about a young couple, a black man and a white woman, who fall in love and are going to her parents house to announce their engagement.  The movie focuses on the trials of inter-racial relationships during this time.  At the end of the movie, the woman's father gave this speech:

Matt Drayton: Now Mr. Prentice, clearly a most reasonable man, says he has no wish to offend me but wants to know if I'm some kind of a *nut*. And Mrs. Prentice says that like her husband I'm a burned-out old shell of a man who cannot even remember what it's like to love a woman the way her son loves my daughter. And strange as it seems, that's the first statement made to me all day with which I am prepared to take issue… cause I think you're wrong, you're as wrong as you can be. I admit that I hadn't considered it, hadn't even thought about it, but I know exactly how he feels about her and there is nothing, absolutely nothing that you son feels for my daughter that I didn't feel for Christina. Old- yes. Burned-out- certainly, but I can tell you the memories are still there- clear, intact, indestructible, and they'll be there if I live to be 110. Where John made his mistake I think was in attaching so much importance to what her mother and I might think… because in the final analysis it doesn't matter a damn what we think. The only thing that matters is what they feel, and how much they feel, for each other. And if it's half of what we felt- that's everything. As for you two and the problems you're going to have, they seem almost unimaginable, but you'll have no problem with me, and I think when Christina and I and your mother have some time to work on him you'll have no problem with your father, John. But you do know, I'm sure you know, what you're up against. There'll be 100 million people right here in this country who will be shocked and offended and appalled and the two of you will just have to ride that out, maybe every day for the rest of your lives. You could try to ignore those people, or you could feel sorry for them and for their prejudice and their bigotry and their blind hatred and stupid fears, but where necessary you'll just have to cling tight to each other and say "screw all those people"! Anybody could make a case, a hell of a good case, against your getting married. The arguments are so obvious that nobody has to make them. But you're two wonderful people who happened to fall in love and happened to have a pigmentation problem, and I think that now, no matter what kind of a case some bastard could make against your getting married, there would be only one thing worse, and that would be if – knowing what you two are and knowing what you two have and knowing what you two feel- you didn't get married. Well, Tillie, when the hell are we gonna get some dinner?

Discussion Questions:

  1. What are the common thoughts of interracial marriages in this dialogue?
  2. Are those thoughts still applicable now, 30 years later?
  3. What can you do to help change these common thoughts of interracial marriages?
  4. How do these racial differences apply to cultural differences today?


et cetera